Port of Abu Dhabi, U.A.E.: Louvre Abu Dhabi & the Sheikh Zayed Grand Mosque

Central courtyard of the Sheikh Zayed Grand Mosque in Abu Dhabi

The one thing I was sure I wanted to see during our port stop in Abu Dhabi was the newly-opened (in November 2017) Louvre Abu Dhabi. With that in mind, I bought e-tickets online weeks before our arrival for 63 dirham (60+3 dirham tax or about $17.15 US each). Not wanting to use the ship’s overly-expensive and overly-structured excursions, the only question was what would we find in the way of local transportation, would we need local currency, and how would we get it if we did.

Abu Dhabi cruise port terminal

The cruise port terminal turned out to be spacious and modern with a very helpful, completely-fluent-in-American-English lady at the information desk. She told us taxis were available just outside and they were trustworthy and metered. She pointed to an ATM near her desk where we quickly got cash and headed out the main door. A minute in the taxi line and we were settled and on our way. Our cab driver spoke good English and in 15 minutes, we pulled into the Louvre Abu Dhabi parking lot. The ride cost 36 dirham (about $9).

(The Louvre Abu Dhabi is visible from the cruise port, but you have to go out and around the water to get to it. Walking is virtually impossible and absolutely impractical.)

Dome of the Louvre Abu Dhabi viewed from the cruise port; no way to walk there.

The Louvre Abu Dhabi is a must-see for its architecture alone. A huge metal latticework dome covers the airy white building, creating a delightful “terrace” area of dappled light. There’s an upscale restaurant as well as cafeteria with good sandwiches, salads and the like and large walls of glass looking onto the water and the city beyond.

Courtyard beneath the lattice-work dome; the café and restaurant are in the white structure.

The museum itself is set up as a sort of history of man with exhibitions of things like religion, motherhood, maps and navigation, views on death, etc. from all over the world. There are sarcophagi and statues from ancient Egypt, artifacts from ancient Greece and Arabia, African and Pacific masks and idols, Western paintings from the Impressionists to Pollack, Asian silks and statues and more. Items from various cultures are placed side-by-side to show how different peoples viewed or represented different ideas and ideals of similar subjects.

Similar objects from different places and times
Islamic “automaton” lion by a medieval European tapestry

Unlike Louvre Lens (in the north of France), which shows a timeline of history and where different cultures were developmentally at any given time, Louvre Abu Dhabi clusters items together to show the similarities–and differences– of humankind with items from vastly different locations and/or eras sometimes placed side-by-side. It’s fascinating.

After a leisurely museum visit and lunch in the cafeteria, we caught another taxi (plenty were waiting in the Louvre Abu Dhabi parking lot) and headed to the Sheikh Zayed Grand Mosque, about a 30-minute drive from the Louvre Abu Dhabi. The drive, along an excellent city highway, cost us 51.25 dirham (about $12). Our driver, from Pakistan, spoke fluent English and was eager to tell us about Abu Dhabi and how much he liked it because it was the “most peaceful place in the world.” We enjoyed visiting with him, but had to wonder about his claim that there is “no crime” in Abu Dhabi and “no punishment or prison”; “They just kick you out.” When we asked him about citizens (who comprise only about 10% of the UAE’s population), he claimed they never commit crimes because everyone has everything they need and gets the same amount from the government so there is no jealousy. Hmm.

Early view of the Sheikh Zayed Grand Mosque. Jaw-dropping.

I’m pretty sure my jaw literally dropped as we pulled up to the Sheikh Zayed Grand Mosque. I had no idea of the scale and grandeur of the place. I mean, wow. Taj Mahal-like with its gleaming white dome and minarets, the Sheikh Zayed Grand Mosque is nothing short of spectacular. And spectacularly beautiful. Our driver dropped us off near the front, assuring me that I didn’t need the sarong, long-sleeved shirt and headscarf I’d brought since the mosque would loan me an abaya.

45-minute complimentary tours are available at the mosque without reservation

David and I entered through separate men’s and women’s doors into the same room, but through different security scanners, and then I was directed to a small room in the back left where a lady chose an abaya for me from among a large collection hanging there. I pulled the dusty-blue hooded gown on over my street clothes and I was set. There is no charge to enter the mosque and no charge for use of an abaya. [Note: I had a pair of scissor-style tweezers in my purse that showed up on the scanner–never before a security problem–and I had to leave them in a box at the front and retrieve them when I left.] Also, those entering with tour groups through another entrance used their own headscarves, etc. and apparently either were not offered or weren’t required to use the borrowed abayas. I, personally, liked the abaya and felt more comfortable that I was respectfully dressed –and more part of the scene– wearing it. (I met at least one woman who found the required abaya a little offensive, but I didn’t feel that way at all. Everyone at the mosque was friendly and welcoming. I viewed it more as a “when in Rome” moment, no big deal … and actually kind of fun, almost like being in costume for a renaissance festival.) The only real downside is that the abaya added one more layer of clothing in heat that was pretty oppressive.

Meeting David after donning my abaya, we stepped outside to hear birds singing and a call to prayer  sounding over the loudspeaker. We continued on the long and incredibly hot (106F) walk around the huge mosque along a white marble walkway to the front entrance. With the sun beating down from a cloudless sky, we paused only briefly along the way to admire the many views of the mosque.

Decked out in my borrowed abaya

We deposited our sandals on shelves provided outside the main entrance before entering the reflecting-pool-lined arcade of arches that surrounds the sweeping, marble-paved inner courtyard of the mosque.

The central courtyard of the mosque

The floors of the arcade and courtyard are inlaid with colorful flower designs as are the columns of the arches that surround the courtyard. It is all exquisitely beautiful and struck me as very feminine.

At the far side of the courtyard, after strolling under the arched walkway, we entered the main area of the mosque (and were delighted to find it air-conditioned).

Antechamber leading to the interior hall

Inside, beyond a soaring antechamber with a large flower-like chandelier, the world’s largest carpet covers the massive 3-domed hall in elaborate patterns on a jade green background. Three truly enormous Swarovski crystal chandeliers hang under each dome, almost jarringly gaudy with their red and green crystals after the delicate floral beauty of the outer pillared arches and courtyard.

Main hall of the Sheikh Zayed Grand Mosque
Detail of the largest carpet in the world

I’d wondered if the mosque was worth the trip. I can’t believe we even considered not going. It’s an easy, inexpensive cab ride and the Sheikh Zayed Grand Mosque is simply not to be missed when in Abu Dhabi!

[Practical note: There’s a modern gift shop and café near the exit to the mosque. It’s air conditioned and equipped with toilets and an ATM machine.]

Our taxi ride from the mosque back to the ship cost 53 dirham (about $13) and took about 30 minutes at around 4 – 4:30pm on a Sunday. Like Dubai, there are plenty of skyscrapers and modern architecture in Abu Dhabi as well as upscale homes our driver told us were provided to citizens by the government. Having only a brief glimpse of the city to base our opinion on, we came away with the impression of a more accessible, less over-the-top place than Dubai.

Intriguing architecture in Abu Dhabi

Back at the port, we browsed the shops in the cruise terminal, spending our last dirham on postcards and stamps and a bar of camel milk chocolate. Why not?!

Free Sunday at the Louvre Museum: Is it really too crowded to enjoy?

A manageable crowd on Free First Sunday at the Louvre

Yesterday was the first Sunday of the month (December), which means Free First Sunday of the Month at the Louvre and many other Paris museums.  (The Louvre and the Rodin Museum are free on first Sundays between Oct. 1 and March 31. Other museums offer Free First Sundays all year. See the bottom of this article for more info.) I’ve heard and read the horror stories about Free First Sunday hordes, so wanted to check it out myself so I could report what I found on Wanderwiles. I’ve been to the Louvre more times than I can remember and am a past member of Amis du Louvre, so I’ve always avoided these Sundays. Since we’re just in Paris for a month this time, David and I decided we’d give the Louvre a miss on this visit unless First Sunday surprised us…and it did!

No hordes here!

First off, we decided NOT to be waiting when the museum first opens at 9am. Although I’ve seen recommendations to do that, I’ve also heard that there are huge lines waiting at the opening which thin over time. Also, we wanted to go to the first Sunday of Advent at the American Cathedral at 11am. So, we went to church, walked the pedestrian-only Champs-Elysées (another first Sunday of the month thing), then rode line 1 of the Métro to the Palais Royal-Musée du Louvre stop so we could enter the museum by the underground Carousel du Louvre entrance (thereby hopefully avoiding any line at the above-ground pyramid…and the cold drizzle of the day).

We could see the line still formed outside the glass pyramid from inside the Louvre where we’d been happily touring for over an hour.

Walking past the shops (put l’Occitane on your left) towards the upside down pyramid suspended from an atrium, our first glimpse of a huge line of people was disheartening.

Uh oh. Line to Carousel du Louvre security entrance

We slipped around them to the upside down pyramid where we could see that things were backed up and crowded in the hall beyond (which leads to the main atrium of the Louvre below the courtyard glass pyramid). It seemed the horror stories were confirmed.

Yikes! Not looking good. View from upside down pyramid, looking back towards shopping area from which we’d just come.

But, I wanted to give it a little time to be sure the crowd we were seeing wasn’t just a backlog of groups. (That seemed to be a possibility.) So, we browsed the shops for maybe 15-20 minutes. Stepping back into the hall, we saw that the line had completely disappeared. We walked back to the upside down pyramid atrium and crossed right into the hall beyond which leads to the main atrium/ ticketing and information center of the Louvre.

15-20 minutes later, the line was gone and we walked right in.
The main atrium, under the glass pyramid, was bustling with people.

Once in the main Louvre atrium, you are presented with three escalators going up to the three main wings: Richelieu, Sully and Denon. I figured most people would be going to Denon to see the Mona Lisa and other Renaissance paintings, Winged Vicory, etc. Although the Denon hall of paintings (“La Grande Galerie”) is one of my favorite places on earth and I like the museum “stars” as well, we’ve seen those many, many times, so I opted for Richelieu. I love the French sculpture rooms of the Richelieu wing and thought they might be less crowded, too. Sure enough, they were delightfully uncrowded.

Plenty of open spaces and free benches among the French sculpture
There were other visitors, but the numbers were very manageable

We found much of the Egyptian exhibit and earlier Mesopotamian exhibits to be equally horde-free. As were the Louis XIV rooms and objets d’art exhibits in the Sully wing. Sure, there were other people, but there really wasn’t a problem or anything remarkable about the numbers. This was great!

Enormous column capital from the palace of Persian king Darius I, 510 BC
Marie-Antoinette room
Egyptian bust “Salt’s head” in a beautiful setting

We ended up spending four great hours wandering our favorite museum.  We saved the Denon wing for last (5-5:30pm) and were able to visit a popular, but easy-to-view Winged Victory.

Free First Sunday crowds around Winged Victory didn’t interfere with the view.

I got to say hello to my favorite Botticelli “frescoes” just beyond Winged Victory (look for the lady with the giant scorpion), and the Grand Galerie, that wonderful long hall of Renaissance masterpieces. There were a lot of people, but not much if any more than I’ve seen on other busy days at the Louvre. I had no trouble viewing my favorite Raphael works in peace.

Botticelli’s “A Young Man Being Introduced to the Seven Liberal Arts”
La Grande Galerie, around 5pm on Free First Sunday in December (The Mona Lisa room is ahead on the right.)

We even stepped into the Mona Lisa room, mostly to marvel at the throng straining to get close and taking selfies with the famous painting. It was crazy, but then again, not really out of the ordinary.

Not much more than the usual frenzy at the Mona Lisa

Practical info:

Free First Sunday hours are 9am-6pm. Entrance is via the main glass pyramid or the Carousel du Louvre. Sadly, my favorite little-known entrance from the past, the Porte des Lions, is now open only for booked groups. On Free First Sunday, the Porte des Lions was completely closed and we could not even exit there, so had to retrace our steps down the hall.

Exiting via the same Métro entrance we came in at below the Carousel du Louvre proved to be problematic: A huge crowd filled the area in front of the stiles. So, we exited onto the street instead and walked the short distance to the above-ground entrance to the Métro. There we could access the stile immediately and found no crowds on the quai. Just be sure you descend into the Métro so that you’re going in your preferred direction (toward La Défense or Chateau de Vinennes).

Bear in mind that French school holidays and those in other countries may well effect the crowds on Free First Sundays. Yesterday wasn’t a school holiday in France. The next Free First Sunday in January may well be more crowded as it will be a school holiday in France and elsewhere.

The Louvre and the Rodin Museum are free on first Sundays between Oct. 1 and March 31. Other museums offer Free First Sundays all year. Find many other Paris museums that are free on the first Sunday of the month on the official Paris tourism web site page entitled Free Museums and Monuments in Paris.